Rich Wisler Photography

Why I Sold My Film Cameras

Home Birds A-M Birds N-Z Raptors/Hunters Snow Geese Heron Rookery Waterfowl Woodpeckers Misc Wildlife Scenic Japanese Gardens Kubota Gardens Lunar Eclipse Z3100 Printer Canvas Prints Essays Photo Tips Top Ten Tips Lenses No More Film Printing Photo Books About Rich

I have often been labeled as a 'Gadget Freak'.  In fact, my computer room/digital

darkroom has often been referred to as the 'Bat Cave' by my family.  I am always

interested in new technologies.  Usually, I am not the first kid on the block to have

the latest.  I like to wait just a little to see if the new actually works.

Take the CD format.  Not too long after they were introduced, I bought a player and

began to build my collection of music.  I read all the negative reports about the

digital sound, not pure and all the rest.  My ears did not hear it that way and I

ignored the naysayer and continued my collection.  My big misread in technology

was buying into the Betamax format instead of VHS.  Eventually, I came around and

mothballed the Beta.

Digital cameras came along and at first I was not interested. We had some at work

and the photos were fine for viewing on the screen, but would not produce

photographic quality prints.  I did not 'early adopt' on this one.  I was pleased with

my film SLR, a Canon Elan IIe and had a nice collection of lenses.

I finally broke down in November of 2000 and bought my first digital camera.  It was

a Fuji (I can't even remember the model anymore).  It had the super CCD, a nice

zoom and was close to the look and feel of an SLR.  Prints were respectable.  I

added some photo printers to the Bat Cave with two dye-sublimation printers.  As

usually happens, technology advances and so did my interest in digital photography. 

I moved from the Fuji to the Canon G2 because digital SLR's were over $10,000. 

But, I would still use my film camera for the 'best and most important'.  I did not

like the look and feel of the point and shoot cameras and longed for an affordable

digital SLR since I was used to the size of the SLR and how it handled.

Then Canon did it.  They introduced the EOS D30 digital SLR and I bought one.  It

was like coming home to be back in the SLR world.  Because Canon developed and

used a CMOS sensor in the camera, the photos had that film like quality I was

looking for.  The photos were great and printouts wonderful.  All of my lenses from

my film camera would work. Then I upgraded to the D60 and that is what did it.

I was using  the D60 with its 6 Megapixel sensor almost exclusively and was not

using my film camera much, I decided to compare prints of the same scene and

determine if I should continue to use my film gear because there was no perceptible

difference in print quality.  I headed out on a nice sunny day with my digital and film

SLR's and tripod.  I setup the tripod and would take photos with each camera using

the same scene.  There were people, water, trees and flowers, buildings.  I tried to

include most things I take pictures of.  I sent the film for processing and did my own

processing of the digital images.

The test was to compare the prints from each process.  My digital prints were glossy

from my dye sublimation printer.  The film prints were glossy from the lab.  I

installed the prints in plastic album sheets side by side and asked family and friends

to evaluate.  This was in addition to my own evaluation.  Everyone struggled to

identify which prints were from which camera.  Most could not.  Some were lucky.  I

printed larger 8x10 prints to evaluate as well.  My reasoning was if the quality of the

prints from the digital camera are equal to that of film prints, why continue to buy

film and have all the associated hassles of going to the lab and going back to pick up

prints.  And I could just "make film" anyway by re-using the compact flash cards in

my camera.

As time has gone by, the quality of the new DSLR cameras have continued to

improve.  With sensors now up to 16 megapixels, the cameras are pushing the

resolution limits of todays best lenses.   Even most pro photographers are making

the switch to digital.